Dedication of the Co-Cathedral of the Sacred Heart: Domus Dei et Domus Ecclesiae

This building is both the house of God on earth (domus Dei) and a house fit for the prayers of the saints (domus ecclesiae). (from Built of Living Stones: Art, Architecture, and Worship 16)
The dedication of a cathedral is a once-in-lifetime (or several lifetimes) experience. I was privileged to attend the dedication of the Co-Cathedral of the Sacred Heart in Houston on April 2, 2008. It’s hard to know where to begin. All of the elements of this place and this ceremony draw your mind and heart to God. The light, the art, the architecture, every detail works together to speak to the human heart and draw it to communion with Our Creator. Even before the official dedication, it was hard to think of this place as anything but holy and consecrated. Our local news channel ran a documentary about the building of the cathedral and as it began to take shape the workers began to be uncomfortable with doing the ordinary messy work of construction in what was clearly going to be such a special place. They asked our bishop, when it would become sacred ground and the bishop assured them that it wouldn’t be until the rite of consecration. The evening before the dedication, vespers was held in the cathedral and even though the water in the baptismal font was not blessed those who were present were drawn to bless themselves with it.

(Houston Chronicle)
Even though the altar was not consecrated, and had never been used to offer the Sacrifice of the Mass, even though the Tabernacle was empty, those who attended vespers that evening genuflected because something that speaks so much of our Lord should be consecrated to Him. Even on the day of dedication before the blessing of the font many of the deacons, priests, and bishops who knew that the water wasn’t blessed….blessed themselves with it anyway. No lights burned in the cathedral, no candles were lit, but still the light poured in the windows. The Co-Cathedral of the Sacred Heart spoke of the promise of holiness. It yearned for the presence of Jesus within its walls just as the people of God yearn for Jesus within ourselves. It wanted to be sacred ground even before it was.
Without a meditative dimension, Christian architecture risks reducing the mystery of divine presence to either social action or to a comfortable domesticity. (Built of Living Stones 258)
As I entered the cathedral and took my seat, and began to pray, I meditated on scenes from the Old Testament and considered that I was about to share in much the same sort of experience that the ancient Hebrews did at the dedication of of the Tabernacle and the Temple as they awaited the shekinah of God. As I listened to the glorious music, the air seemed to quiver with anticipation and even heaven rejoiced at at what was to come.
When the Scriptures are read in the Church, God himself is speaking to his people and Christ, present in his own word, is proclaiming the Gospel. (General Instruction of the Roman Missal, n.29)
If you are not Catholic, or a student of architecture, you may not know that cathedrals are not just big beautiful churches.

(Houston Chronicle)
This is what makes a church a cathedral….the cathedra or bishop’s chair. It is the symbol of his teaching authority in his diocese.
The Mass of Dedication began with a ceremony in the narthex of the church where the architect literally turned the keys of the cathedral over to Cardinal DiNardo. After brief remarks, the Cardinal blessed the water of the baptismal font. Then he sprinkled the people, the walls of the church and finally, the altar. The sprinkling with water is a reminder of our baptism when we became one in Christ and a temple of the Holy Spirit and calls to mind the events of salvation portrayed in gold-plated art around the eight sides of the baptismal font.


An octagon is an ancient form for baptismal fonts, the eight sides symbolize the Resurrection as the “eighth day of creation” when Jesus made the world anew in hope.
Prayer of the Blessing of the Water
God of Mercy, you call every creature to the light of life, and surround us with such great love that when we stray you continually lead us back to Christ our head. For you have established an inheritance of such mercy, that those sinners, who pass through water made sacred, die with Christ and rise restored as members of his body and heirs of his eternal covenant. Bless this water; sanctify it. As it is sprinkled upon us and through this church make it a sign of the saving water of baptism by which we become one in Christ, the temple of your Spirit. May all here today, and all those in days to come, who will celebrate your mysteries in this church, be united at last in the holy city of your peace. May God, the Father of mercies, dwell in this house of prayer. May the grace of the Holy Spirit cleanse us, for we are the temple of his presence.
Next came the Liturgy of the Word. Cardinal DiNardo presented the lectionary to the lectors and the psalmist and proclaimed, “May the word of God always be heard in this place, as it unfolds the mystery of Christ before you and achieves your salvation within the church.” The simple act of proclaiming the words of God from the ambo, set this place apart forever for this purpose.

The readings were done in Spanish, Vietnamese, Latin, and English. The first reading (Nehemiah 8:2-4a, 5-6, 8-10) spoke of the reading of God’s word in ancient Israel and how God’s word brings us to conversion and repentance and joy. Psalm 19 was sung. The New Testament reading was Hebrews 12:18-19, 22-24. The gospel was the story of Zacchaeus from Luke 19 because Jesus was coming to our new house. Cardinal DiNardo is a fabulous homilist!

(Houston Chronicle)
After the homily began the Rite of Dedication itself with the singing of the Litany of the Saints and the deposition of the relics beneath the altar.

(Houston Chronicle)
The gold cover marks the place beneath the altar where the relics are deposited.

We don’t have relics from all of the saints honored along the sides of our nave….pictured below.

But the vatican was gracious enough to provide relics of St. Thérèse of Lisieux (holding the cross and the roses), St. Elizabeth Ann Seton (with the three children) as well as St. Margaret Mary Alacoque who popularized the devotion to the Sacred Heart of Jesus, St. Leo the Great, St. Faustus, St. Fortunatus, St. Desideratus, St. Rose Philipine Duchesne, St. John Neumann, St. Maria Goretti, St. Maria Faustina who is sometimes call the apostle of Divine Mercy, and a sliver of what Catholics believe may be the True Cross. The placing of the relics of Saints either in or underneath the altar is an ancient Catholic tradition. It calls to mind that the church was built with the sacrifice of the martyrs and calls to mind Revelation 6:9 “I saw underneath the altar the souls of those who had been slaughtered because of the witness they bore to the word of God.” The remaining saints honored in the nave statuary are St. Martin de Porres, St. Juan Diego, St. Joseph, and St. Anthony of Padua.
After the deposition of the relics…
The Prayer of Dedication
Father in heaven, source of holiness and true purpose, it is right that we praise and glorify your name.
For today, we come before you, to dedicate to your lasting service this house of prayer, this temple of worship, this home in which we are hourished by your word and your sacraments.
Here is reflected the mystery of the Church.
The Church is fruitful, made holy by the blood of Christ; a bride made radiant with his glory, a virgin splendid in the wholeness of her faith, a mother blessed through the power of the Spirit.
The Church is holy, your chosen vineyard; its branches envelop the world, its tendrils, carried on the tree of the cross, reach up to the kingdom of heaven.
The Church is favored, the dwelling place of God on earth; a temple built of living stones, founded on the apostles with Jesus its cornerstone.
The Church is exalted, a city set on a mountain: a beacon to the whole world, bright with the glory of the Lamb, and echoing the prayers of her saints.
Lord, send your Spirit from heaven to make this church an ever-holy place, and this altar a ready table for the sacrifice of Christ.
Here may the waters of baptism overwhelm the shame of sin; here may your people die to sin and live again through grace as your children.
Here may your children, gathered around your altar, celebrate the memorial of the Paschal Lamb, and be fed at the table of Christ’s word and Christ’s body.
Here may prayer, the Church’s banquet, resound through heaven and earth as a plea for the world’s salvation.
Here may the poor find justice, the victims of oppression, true freedom.
From here may the whole world clothed in the dignity of the children of God, enter with gladness your city of peace.
We ask this through our Lord Jesus Christ, your Son, who lives and reigns with you and the Holy Spirit, one God, for ever and ever.
All: Amen.
Then the the walls of the church and the altar were anointed with sacred chrism

(Houston Chronicle)
With this prayer we are reminded of the grace-filled events that occur on and around the altar. The Cardinal prayed:
We now annoint this altar and this building May God in his power make them holy, visible signs of the mystery of Christ and his Church.

(Houston Chronicle)
To represent the twelve apostles the walls of the church are anoited in twelve places. The candles permanently mark these twelve place of consecration. Sacred chrism is used to set this place aside as a place of Christian worship. (If you put on your x-ray glasses, my husband is standing behind this pillar next to the guy with the blue shirt. Because he came straight from work, we arrived at different times and I was on the other side of the church. We waved to each other once. [grin])

(Houston Chronicle)
Next a large brazier of incense is placed on the altar and braziers of incense were taken around the nave. The Cardinal prayed:
Lord, may our prayers ascend as incense in your sight. As this building is filled with fragrance, so may your Church fill the world with the fragrance of Christ.
The incensation of the nave of the church marks it as a place from which the prayers of the faithful (Revelation 8:3) are also lifted up to God. The people gathered are incensed first because we are the living temples of God and each faithful member, a spiritual altar.
After the anointing of the altar and the church….all heaven broke loose. The Easter candle, processed from the former co-cathedral, was placed in its holder beside the baptismal font. (It will remain lit during the Easter season and then is lit only for baptisms and funerals.) The lights of the church were turned on and the candles lit. Flowers were processed up the aisle and placed all over the cathedral: at the altar, at the places of consecration, and at each of the statues. All of these as visible symbols of the life and light that Christ brings to us. Carmelite nuns brought new cloths to dress the altar in preparation for the first Sacrifice of the Eucharist to be celebrated in this place newly consecrated to our Lord.
The Liturgy of the Eucharist followed. If you are Catholic, you know this part by heart and soul. I won’t explain it here but if you are not Catholic and have never been to a Mass, this older post of mine may be informative.

(Houston Chronicle)
Following Holy Communion the Chapel of the Blessed Sacrament was inaugurated by placing the Eucharist in the Tabernacle and the sanctuary lamps were lit.

(Houston Chronicle)
The Mass of Dedication concluded with blessing and dismissal.
I tried to work as many pictures of the cathedral into my account as possible but I have a few details leftover that I’d like to share in conclusion.
Detail of Jesus’ hand on the Statue of the Sacred Heart of Jesus. Archbishop Fiorenza who directed the building of the co-cathedral from begining to end directed the artist to give Jesus the hands of a worker because he was a carpenter.

The statue of the Sacred Heart of Jesus in the west transcept:

(Houston Chronicle)
Statue of St. Mary Immaculate Conception in the east transcept:

Sanctuary:
“The crucifix arrived in five peices from the sculptor. We had to physically put the two beams of the cross together, lay the corpus on the cross and attach the arms. It was very quiet on the site as the nails were placed in the hands of Christ.” ~~ Mark Gore Sr. Project Manager, Linbeck Construction
Window at top of dome:

The Resurrection window over the choir loft (notice the Houston skyline at bottom of window):

(Houston Chronicle)
Highly Recommended Reading: Built of Living Stones (Link opens PDF file)
Media Coverage of the Dedication Channel 13 has some excellent background pieces on the construction of the co-cathedral.
